Review: The Ghosts of Michael Brown, in ‘Until the Flood’

Dael Orlandersmith’s new play explores the lives — both black and white — left behind in the wake of the 2014 police shooting in Ferguson.

Article source here:New York Times Arts Section

Comments

Popular posts from this blog

How To Start Singing

Rites of Passage

“Vocal Athletes” in collaboration with NYU Voice Center: Part 1 of 4