Review: In ‘Clockwork Orange,’ the Future is Dark and Very Fit

This adaptation of Anthony Burgess’s word-drunk fantasy is notable less for its violent themes than for its often-shirtless cast.

Article source here:New York Times Arts Section

Comments

Popular posts from this blog

How To Start Singing

Rites of Passage

“Vocal Athletes” in collaboration with NYU Voice Center: Part 1 of 4